Category Archives: Creative Cloud

How To Take Advantage of Small spaces for product photography

Hello everyone. Thanks for visiting my blog today.
Today is all about how to use small spaces for product photography. I posted on my social media a few product images I made for my client, and some of you asked me to share my process.
Use a small space to your advantage:
1: For product photography, you don’t need to have a lot of space. I had a situation when I had no space at all, so I use a bathtub for all my product shots. I used a school project board positioned on top of a bathtub as a table.
Shooting using small spaces can be very helpful to eliminate a reflection in your product. Smaller spaces have less “environmental chaos” reflected in your product, which means less post-production. It’s cheaper to buy a small flag to block the reflection. You even can use one school project board divided into two pieces.
2: Light. Small spaces require less light. So it’s cheaper.

Must have:
1: it’s necessary to have the right surface(s) or backdrop(s) for product photography. The right surface will help to tell the story of your product along with the simplicity of post-production.
I use surfaces I bought from Replica Surfaces. They are beautiful realistic-looking surfaces, easy to shoot with, and easy to clean up. Another big plus is that having even only two surfaces you can create 4 different sciences.
2: Excellent lighting is a must to have. You don’t buy new lights every month or year. So invest in good lighting. I use Westcott FJ400 with a Westcott FJ-X2M trigger.
3: It’s necessary to shoot tethered. Shooting tethered will save time on post-production and eliminate mistakes you will notice after the photo session. You sow something you’d like to improve – you will be able to change/ improve it right away.
I use Adobe Lightroom and tethering cable from tether tools.


4: Gloves and lint free cleaning cloth. A clean product is the first step in any product photography. So take time to clean the product using a soft cloth before the session. A glove will give you the ability to move the product without leaving any fingerprint on it.

5: Tripod. I use a tripod in all my sessions. I can’t imagine my photography life without one. Don’t buy cheap tripods. Buy a sturdy one that will make your photography life easier and more enjoyable.


Below is the setup for my last session

I used two replica surfaces and two foam boards on a side to block surrounded reflection.

I used only one softbox (yes, you can shoot product with only one light)

I positioned a softbox a little above my product. So I have enough light with fewer hot spots in the bottle.

A few final images

The Bottom Line

Product photography is fun and the best part is that your subject is always available and never gets tired. You can shoot products whenever the mood strikes you. Try it and have fun.

Convert to Smart Filter in Photoshop

It’s always a big plus (at least for me) if we can work non-destructively in Photoshop. What is it non-destructive editing? Non-destructive editing means that we can apply edits to our image and without permanently changing the pixels. You can always come back and make changes or remove the edits.

One of my favorite non-destructive features is the Smart Filter Layer. Converting a layer to a Smart Filter layer I can apply filters, non-destructively to my image. If I want to adjust my filter, delete or hide it, I can do it at any time (as long as all layers are not merged or flattened, and the document saved as a PSD file).

Note: Lens Blur, Flame Picture Frame, Trees, and Vanishing Point— don’t work with layers converted to Smart Filter layers.

To convert a layer to Smart Filter > Click on a layer you want to convert to a Smart Filter layer chose the menu Filter > Convert to Smart Filters (image 1)
or > Right-click on a layer > Convert to Smart Object 9 Image2)

Image 1
image 2

The layer you applied the Smart Filter or converted to a smart object looks like any other layer, but at the right lower corner of the thumbnail you can see a smart filter/smart object icon.

Now it’s time to apply a filter. I will apply the Camera Raw Filter. You can see in the image below that a Camera Raw icon was added to my layer under Smart Filters.

If you want to adjust a filter > double click on the filter’s name and you will be redirected back to the filter.

To edit a filter blending mode > double- click on Edit filter blending option

Now I can change the filter’s blending mode


Also, I can change a filter’s opacity value.

Note: you can apply multiple smart filters to the same layer. You can reorder, and duplicate smart filters.

To hide a single Smart Filter, click the eye icon next to the Smart Filter. To show the Smart Filter, click in the column again.

To hide all Smart Filters applied to a Smart Object layer, click the eye icon next to the Smart Filters line.

To show the Smart Filters, click in the column again.

Right-click on a smart filter and choose any option from the drop down menu (if needed)

P.S. Photoshop creates a Smart Filter with a filter mask already applied > White box in a smart filters raw

It’s very helpful if you wants to hide parts of the applied filter.
Double-click on a Smart Filter mask to display the Properties Panel.

To hide part of an applied Smart Filter > click on a Smart Filter’s mask icon > choose any brush and black color > paint over the area you want to hide. If you painted more than you wanted > change color of your brush to white and paint areas back.

JPEG to RAW AI

Topaz Labs

Removing An unwanted reflection

Hello and welcome to my new Monday blog post.

In this blog post, I will show you how to combine multiple images together to create your final image.
Last week I was shooting in my studio for Adobe Stock submission. I had my simple setup for a high key session. In this blog post, I will not go deep into my setup, but if you want to learn more about my settings, please let me know using the contact form below.

When you are working with product photography, and especially with a glass or reflective object, it is important to make reflections more smooth or don’t have any reflection at all (unless it is intentional).
We have many different ways of shooting products, and every photographer has his/her own way. What I will show you today is the quickest and easiest way on a small budget.
I had two lights. One light is behind my product, and the other light right in front of it.

Main Light

Using this setting I got this result

My next step was to bring my main light (which is in front of my subject) up

This is the image I got. This image doesn’t have any reflection (including Softbox reflection).

I always shoot tethered to Adobe Lightroom Classic so now we jump from the studio to Lightroom Classic.
In Lightroom Classic, I will select the first image > right-click > Edit in > Edit in Adobe Photoshop 2021

I will do the same with the second image.

Now in Adobe Photoshop, I will place the first image on top of the second one. The image with reflection is positioned on top of the image without a reflection.

Next step: apply a layer mask to the top layer > using a soft brush with black color, paint off the reflection.

Just like this, I removed all unwanted reflections/highlights from the subject. The next step will be merging all layers and simple adjustments in a Camera Raw with a little cropping.

Finally, we are ready to submit the image to Adobe Stock (as an Editorial image since this is an obvious brand). I did it and my file was accepted!

Everyone, I hope now you will start shooting for Adobe Stock and shoot from anywhere, even from the smallest studio, kitchen, or from anywhere else.


*As an Amazon Associate, I earn from qualifying purchases listed below

Select Subject in Adobe Photoshop CC

Select Subject in Adobe Photoshop CC ONLY with one click!!!

 

What’s New in Adobe Photoshop CC 2018

My Books on Amazon:

101 Photoshop Hidden Gems and Tips & Tricks: A collection of 101 hidden features and short tips that will help make you a Photoshop ninja 

Digital Painting for Photographers

The Adobe Mobile Apps Book: Your Complete Guide to Adobe’s Creative Mobile Apps

My Teaching Website

My Website

My tribute to Star Wars

My Tribute to Star Wars

Just like many of you,  I LOVE and I’m a big fan of Star Wars. Because  I am also The Photoshop Artist I decided to combine two passions into one to create fan art using the biggest passion in my life, Adobe Photoshop.

Princes Leia
Painted in Adobe Photoshop CC using Microsoft Surfacebook

 

Rey
Painted in Adobe Photoshop CC using Wacom Cintiq

 

Kylo Ren
Painted in Adobe Photoshop Sketch using iPad Pro and Apple Pencil 

 

 


My Teaching Website

My Books on Amazon:
Digital Painting for Photographers
101 Photoshop Hidden Gems and Tips & Tricks: A collection of 101 hidden features and short tips that will help make you a Photoshop ninja
The Adobe Mobile Apps Book: Your Complete Guide to Adobe’s Creative Mobile Apps

3 ways to convert your image into Black and White in Adobe Photoshop CC and number 3 will surprise you

3 ways to convert your image into Black and White in Adobe Photoshop CC and number 3 will surprise you.

Many of my followers  asked me to share my method for converting my images into Black and White and in this blog post I will share with my 3 favorite ways.

 

1: Use the Camera Raw Filter

Filter > Camera Raw Filter

Check “Convert to Grayscale” box and Photoshop will convert your image to B&W.

As usual the result is a pretty good, but if you like to have control over your image (and to be honest, I am a control freak so I am always applying a few extra steps). So if you are willing to take control over your image the next few steps are for you.

Adjust each Grayscale slider. Each slider will affect each individual color in your image. Moving sliders directly affects the mood of your image

Example:

This mix created high key image with a very romantic mood

But if I will move the Reds, Blues, Purples, and  Magentas sliders to the left I have created a very moody image.  

 

Tip: After you are fully satisfied with a Grayscale Mix ratio click on the Basic Tab and adjust Exposure, Contrast, Shadows, Whites, and Blacks sliders. Each slider will help you apply the last polishing step to your image.

 

 

2: Auto Black & White

 

Image > Adjustments > Black & White

 

In Adobe Photoshop CC we have many different Black and White Presets we can work with. I can’t say that you should use a particular one over others. Everything depends on your image., image light, details, subjects, and ect. I will recommend to try the different presets and after a few times you will have your favorite.  

With my current image I  I like the “Darker” Preset the most.

As I said above, I am a control freak, so I will adjust a few sliders as well.

Tip: Absolutely NOT NECESSARY to move  sliders like from 50% to 100% or to -100%. Very often less is better and even moving slider to 1%  makes a big and a very tasteful difference.

 

3: Adjustments

Window > Adjustments > Vibrance

In the Properties panel move “Vibrance” and “Saturation” sliders all the way to the left to -100%

Photoshop converted your image into B&W and created a new “Vibrance1” layer (this layer is a fully independent layer and you can modify and even delete it later on at any time).

Highlight your image layer (Layer1)

And click on “Selective Colors” in Adjustment panel. Photoshop created a new Selective Color1 layer.

In the Properties panel adjust the Black slider for each color

Tip: pay very close attention to the Neutrals and Blacks sliders.

 

My Teaching Website

My Books on Amazon:
Digital Painting for Photographers
101 Photoshop Hidden Gems and Tips & Tricks: A collection of 101 hidden features and short tips that will help make you a Photoshop ninja
The Adobe Mobile Apps Book: Your Complete Guide to Adobe’s Creative Mobile Apps

WW Painting in Adobe Photoshop CC

My latest painting in Adobe Photoshop CC with Wacom Cintiq

 

step-by-step

18

 

My Books:

Digital Painting for Photographers in Adobe Photoshop CC
The Adobe Mobile Apps Book
101 Photoshop Hidden Gems and Tips & Tricks 

My Website
My Teaching Website 

How to create Mother’s Day E-Cards in Adobe Photoshop CC

How to create Mother’s Day E-Card in Adobe Photoshop CC


 

How to create Mother’s Day E-Card only in three steps in Adobe Photoshop CC using 3D object from PixelSquid

My Books:
101 Photoshop Hidden Gems and Tips & Tricks 

Digital Painting for Photographers in Adobe Photoshop CC 

The Adobe Mobile Apps Book

My Training Website

 

My New Book

I just released my new “101 Photoshop Hidden Gems and Tips & Tricks” book

I wanted to write a book that every Photoshop user could learn from. Many of us are new to Photoshop, use it regularly or are experts. However, no matter what your Photoshop skill level is, chances are you can still learn new things or pick up tips from this book that you haven’t discovered yet. My editor said “wow, I learned at least 10 things right off the bat that I didn’t know and I ‘m not done editing yet.” We get into our groove and we use the same features and techniques all the time. However, with each new update to Photoshop CC there are usually little things that the engineers at Adobe add or change that often don’t get a mention. I did my best to pick out 101 of my favorites. Enjoy!

101 Photoshop Hidden Gems and Tips & Tricks

My New Online Training Site

I’m very please to announce my NEW online training site! “Everything Digital” 

About my training site: my main goal is inspire you and make your digital workflow more enjoyable. All of my tutorials are recorded in a conversational manner. No “robotic” talking head tutorials. I want to have a conversation with YOU. I want to make the learning experience more enjoyable. Here you will find different tutorials: from beginner to advanced level. I believe that the learning experience is suppose to be enjoyable and a two-way conversation.  

In my All Digital course you will be able to access all of my courses for one monthly payment of $15.00 

My Books on Amazon:
Digital Painting for Photographers in Adobe Photoshop CC
Adobe Mobile Apps